“The history of the Panormo Family as recorded in the various dictionaries of violin makers, is shrouded in confusion. The difficulties arise for several reasons: 'Vincenzo’s wanderings; the use of the same first names in different generations; and the lack of labels in instruments.' His father, Vincenzo 1734 - 1813, (known as “old Panormo” from Palermo, Sicily) was one of the most widely travelled of violin makers, settled in London in 1790 or 1791.
Joseph (the eldest son) is reputed to have been born in Naples in 1768, though his father moved the family to Paris and then to Dublin to escape the French Revolution. On his arrival in London, at the age of 23, Joseph would have been a fully competent instrument maker who would have shared the duties in his father’s workshop. Joseph left his father and opened his own shop at a number of addresses, but principally at 39 King Street, Soho where he made guitars, violins, cellos and double basses. (His son, Edward Ferdinand Panormo was christened at: St. Anne’s Church, Soho, 1813.)
Joseph’s basses are quite similar to those of his father, which, over the years, has caused some difficulties with attribution. We believe that Joseph made about ten basses in total, although some of these are currently known as the work of Vincenzo. (who made about 20)
It is no coincidence that London became the main centre for double bass makers in Europe, as the arrival in England of the very famous Venetian virtuoso Domenico Dragonetti was a key factor. Beside bringing a number of early Italian Basses to London, whose restoration was entrusted to the Panormo family, Dragonetti was instrumental in commissioning new basses for himself and his pupils.
The outline is bold, being broader across the bottom bouts than Vincenzo's grand pattern but otherwise remaining quite similar to it. The back is carved from two book-matched pieces of figured maple. The ribs are of similar wood, although they are not as deep as the ribs on some of his other basses.
The instrument has been coated with a fine oil varnish of a rich dark
red-brown colour; and applied over an under-coating of a warm golden-orange colour & double-purfled both front and back.”
Originally published in The Strad, January 1999 with acknowledgements to the editor & Tom Martin
Also thanks to Gary Southwell (Panormo family tree & shops)
Joseph made the instrument opposite for the double bass player Mr. W. J. Castell a colleague of Dragonetti,
and although Joseph continued working in London until his death in 1837, he died in the St. Anne’s Workhouse, and was described as a pauper on his death certificate.
Records show Mr. Castell (William Jones Castell, born 18 Apr 1812, died before 1 April 1888) was admitted to the Royal Society of Musicians on 6 July 1834.
He was engaged at the Adelphi Theatre in the Winter & at the Hay Market Theatre in the Summer as Principal Double Bass. The RSM also have a ticket for a Dragonetti Benefit Concert Provenance: Castell, W. J.
His name begins to appear on the list of members of the Philharmonic Society of London from 1846 (the year Dragonetti died.) In 1847 Mr. Castell would have played for Mendelssohn when he conducted the first London performance of "Elijah" etc. (See also Centenary performance in Part 2.) Mr Castell’s name appears in orchestra lists for the 1847 and 1849 Royal Italian Opera seasons at The Opera House. In 1853, the Philharmonic Society engaged Berlioz to conduct a concert of his own works, and likewise in 1855 Mr Castell would have played for all of Richard Wagner’s London concerts. Also from 1855, is the orchestra list for the 1st London performance of Il Trovatore at The Opera House.
Here is a Concert Advert from the 1867 Promenade Concerts at the Covent Garden Theatre with Mr. Castell playing and Bottesini and Johann Strauss conducting.
Mr. Castell would have benefited from the growth of the railway during the 1850s and 1860s, and so was able to take his Joesph Panormo Double Bass to the Norfolk and Norwich Festival in 1869 where his name appears on the list of players. Recently his name has also been discovered for the concert series at the Theatre Royal Promenade Concerts of 1875-77.
It was then purchased by his pupil Mr. JEP Wilkes (James Edward Paul Wilkes, born 16 Oct 1868, died 12 Feb 1946)
played in the Queen's Hall Symphony Concerts and Queen's Hall Lamoureux Concerts from 20 February 1897 onwards. The concerts were conducted by Henry Wood who had started his famous Promenade Concerts in the new hall two years earlier. Records show he was admitted to the Royal Society of Musicians on 5 June 1898. The Bass was then inherited by his son Mr. J Wilkes who played with the Royal Philharmonic Society. Fortunately a letter written on 25th July 1930 exists from Mr. Wilkes to the new owner (see below...) clearly documenting the history of this bass. The following month he also wrote: " To Kenneth G. Burston: Bought of J Wilkes a Double Bass by Joseph Panormo which I guarantee to be genuine, 20th August 1930."